Exactly. Star Trek takes place in utopia - and the creators’ version of utopia is one with equality, freedom, and respect for all. If someone’s version of utopia doesn’t align with this, I think that says a lot more about them than it does about how “woke” Star Trek is
The gender episode was so ahead of its time. It introduced some ideas that I didn’t even know there were concepts for.
Hey see - that wonderful thing in the past is similar in some way to the dogshit we produce now. Therfore the problem is you!
You gave us a glimmer of hope Captain o7
A few years back, I was speaking to a roommate. I complained that the (then) new Star Trek had forced diversity. He immediately shut me down, “Star Trek has ALWAYS been like that”. He was a huge fan of Star Trek
Star Trek (TOS) never needed to BE about diversity, because it was set in a utopian future where racism, and sexism weren’t problems anymore. You had an entire multi-racial cast on the bridge of a starship so just from THAT you knew that racism wasn’t a problem in the future. There was no more war, poverty, disease or crime. Conflict only came from humanity’s meetings with alien races.
TOS Star Trek never needed to beat you over the head every 5 minutes with how gay someone was because that wasn’t a problem in the 23rd century. Nobody gave a shit.
Now don’t get me wrong, I think the best way for Trek to handle queer issues is to just put queer people on the bridge. A gay Riker equivalent or a trans woman who talks about her past with the same discomfort but honesty as how Picard talks about his is what I want. And in that vein I’m still on my first watch of TNG and it’ll be a while before I get to nutrek.
But I’m not going to pretend that to a certain portion of the population TOS wasn’t seen as being overly preachy on race. But seeing as I haven’t gotten to TOS yet either, I will say that in modern day I do think TNG was a bit preachy about disability and I’m glad they were.
honestly i think DS9 strikes a better balance. and it too was disliked at the time for going against what star trek was.
Are you one of those people who believes Discovery had a coming out as nonbinary plot
What does that even mean?
some people believe that star trek discovery had a story arc about a character coming out as non-binary.
Removed by mod
Why would you even complain about that in the first place?
People tend to think that “forced diversity” is something being pushed from the top, but the people who own Hollywood are literally paying money to the right wing who limits diversity.
My personal belief is that there are simply a lot of homosexuals and trans people in the art world. Whether it be make up artists, actors or screenwriters, i think aaaaall of this is a lot more normal amongst creatives than it is among the regular population.
So obviously, its gonna show up more in movies and shows, than in real life. Because the people making the art knows these actual people.
People tend to forget when watching a movie, that just like when looking at a painting, they are in fact watching someone else art, and they are welcome to just not look at it, or find artists that more aligned with their bigoted views.
As a person of color I can tell you that white liberals limit diversity more than white conservatives.
Citation needed.
There’s the money conservative and the scared conservative. Scared conservative is racist. Money conservative only sees the colour of money
Allowing for gradations for different levels of assholes, ofc
“I have almost reached the regrettable conclusion that the Negro’s great stumbling block in his stride toward freedom is not the White Citizen’s Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to ‘order’ than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: ‘I agree with you in the goal you seek, but I cannot agree with your methods of direct action’; who paternalistically believes he can set the timetable for another man’s freedom.” – Martin Luther King Jr.
He wasn’t wrong. Racists didn’t put Trump in the White House. Apathetic centrists and moderates did. And no, it’s not just about him. Buy it’s the one of the more salient example of modern moderates allowing horrible shit.
Except people weren’t complaining about forced diversity, which is also known as “representation”.
Agreed. People should dislike modern Star Trek for it’s bad writing, not because it’s progressive.
The best progressive writing Trek did was when they addressed a social issue by having the actors pretend it wasn’t an issue at all.
Uhura was a bridge officer who was a black woman, and nobody cared or even noticed because in-universe there was nothing special about that.
The best progressive writing Trek did was when they addressed a social issue by having the actors pretend it wasn’t an issue at all.
Is Jay-Den being gay not exactly that? Nobody cares in universe. But somewhat it is a big thing for a lot of people for no reason at all.
I like how in Discovery a character came out as non-binary and everyone is like “ok cool” and that was that and it was never brought up again (because why would it be)?
You can tell by the absolute meltdown conservative spaces had about that five second clip that it was absolutely the right thing to do.
Trek writing has never been consistently good. Half of TOS is unwatchably bad. TNG sucks until Riker gets more hair. DS9 sucks until Sisko gets less hair. Voyager’s all over the place (even though it’s my favorite). Enterprise is mostly bad. Only the even numbered TOS movies are good. Only the first two TNG movies are good.
I say this with a genuine love of Star Trek, but the quality of the writing has varied greatly over each individual series.
Agreed. Season three TNG is peak Star Trek. That said, and at the risk of being flayed by the Star Trek community at large, I think DS9 was the best series, taken as a whole.
As a Star Wars nerd, I feel this so intensely. It sucks when you love the setting, but the actual writing is a crapshoot.
You hold up Andor, Rogue One, and the Animated Clone Wars Saga next to the Sequels, the Christmas Special, or Revenge of the Sith, and it makes your heart hurt.
…holiday special: don’t colonialise life-day…
Discovery writing is all over the place I agree, but Starfleet Academy writing does not look that bad to me. What is so much worse then previous trek? If we do not cherry pick the best of the past against the worst of the new, writing is better or on the same level of what we saw before.
Yeah, nothing is organic. Feels like it’s not normal to the characters too, because they have to keep explaining it to themselves.
The message is not the issue, the inability of the writers to insert it in the story is.
I find the actual problems they face to be more organic than other series, there’s always at least a semi-good reason why the threat of the week is occuring rather than something stupid like flying through enemy territory with no shields or some rando just beaming out your ships main computer being a huge weakness that no one ever thought might be a problem.
I mostly agree, but with shows like Starfleet Academy, the writing is bad in part because of the forced inclusive themes. You’re broadly correct: these could be handled with tact for a better show. I still think these themes are handled best when they give the audience room to consider nuanced and complex ideas. Don’t shoot me, but instead of a classic New Generation episode I’m going cite an episode of The Orville - “About a Girl”. Bortus and Klyden have a baby, who is born female. They try to argue that she should be allowed to remain female, but ultimately the court rules that she undergo the Moclan gender reassignment procedure.
This touches on contemporary issues but also doesn’t present the situation as “this side is 100% right, and this side is literally Hitler.” The audience is actually left wondering, where does this sit in the contemporary debate? If a child is born one sex, should they be given the right to remain as that sex? Or should a court be allowed to step in and reassign sex? The episode also brilliantly explores the difficult dynamic between Bortus and Klyden, and doesn’t portray one as a cartoon villain and the other as a male Mary Sue.
This is where New Trek fails horrible. Zero nuance. Everything is presented in the first 10 seconds as “this is good, this is bad. Accept the message we are feeding you are you are a bad person.” That’s not Star Trek. Most importantly, that’s not interesting. It’s not good storytelling. It might appeal to people who really like circlejerking about that particular issue, but that’s a minority of people.
I agree completely with your point about the Orville. It was really well done.
I don’t agree with your assessment of New Trek, however. I know it’s all very variable and I don’t want to generalise, but even if we accept this:
Everything is presented in the first 10 seconds as “this is good, this is bad. Accept the message we are feeding you are you are a bad person.”
Then, I have to point out the obvious: if it’s so lacking in nuance, then yes, if you don’t accept it you are a bad person. For example, if it’s saying, “gay people are ok and normal”, there’s no subtlety to that because it’s not something anyone in the future will hopefully give a shit about. And if someone in their society did, then yes, they would be in the wrong. 100%.
That’s a lot of words to not provide a single example from a show of what makes “forced inclusion” different than “inclusion”
Someone asked that question two hours ago and I replied with two examples. It’s underneath my comment. I’m not sure which application you’re using to browse Lemmy but you should be able to see it.
I saw that but I didn’t see anything about what makes inclusion “forced” in one series but not in another.
I thought I did a reasonable job of explaining the narrative distinction in my comment. Maybe you could be specific about which part you don’t understand, or which part with which you might disagree?
yeah sure so im curious to know what “forced inclusion” means and how we’re supposed to tell it apart from regular inclusion.
Which part of my explanation did you not understand or disagree with?
Can you give me a practical example of Starfleet Academy lacking the kind of nuance you would like to see?
A specific example would be “Vox in Excelso.” Jay-Den learns the Klingons have become an endangered people after the Burn, General Obel Wochak rejects the Federation’s offer of asylum on Faan Alpha because accepting it as charity would dishonour them, and the episode resolves that by staging a fake battle so the Klingons can claim the planet “by conquest”. To me, that lands too neatly. The episode tells you very quickly that the Federation position is the sensible one and the Klingon objection is mostly pride that needs to be worked around, rather than really sitting with the possibility that their view of dignity, sovereignty, and survival might have more weight than the script gives it.
Another example is “Ko’Zeine.” Darem is pulled back to Khionia for an arranged royal marriage to Kaira, and the episode is clearly building toward the conclusion that suppressing your real self for duty and tradition is tragic and wrong. That is a fair theme, but the show signals the moral endpoint so early that there is not much room left for genuine ambiguity. Kaira ends up being understanding, Jay-Den is framed as the voice urging honesty, and the traditional path mainly exists to be rejected. Compare that with something like older Trek, where you were more often left to wrestle with whether duty, culture, and individual freedom could all make a legitimate claim on the character at the same time.
So when I say the show lacks nuance, I do not mean it should avoid these themes. I mean it too often starts from the answer and then builds the episode backwards, instead of letting the conflict stay uncomfortable long enough for the audience to think. And when the story concludes, they make it VERY clear which way the audience is expected to land. They do not allow for any ambiguity or moral disagreement. They present the “right and true” path, and make it clear that any deviation is wrong and immoral.
I am not disagreeing with you, but old trek does this all the time.
In season 5 episode 17 (the one with the J’naii androgynous race) the setup is exacly the same as Ko’Zeine: from the start you get the answer that suppressing your true self is bad. The J’naii are seen as bigoted and the federation position as the right one. I do not think there is any ambiguity about which side the viewer is supposed to take. The only difference is the end result. Or look at how Dr. Crusher treats Klingon ritual suicide in season 5 episode 16: their culture is treated entirely as a stubborn, barbaric hurdle to be overcome by the ‘sensible’ 24th-century human perspective.
And TNG is also full of examples of “the federation knows best”. In Season 7 Episode 13 the federation works around a similar problem with the forced migration on the holodeck. Or Season 2 Episode 18, where the enterprise force the merge of the Bringloidi and the Mariposans. Or when in Season 1 Episode 8 we dismiss Edo society position immediately as immoral despite them living in a paradise society.
That’s fair, and to be clear, I do not think the point is that old Trek was always perfectly nuanced and new Trek never is. Of course old Trek had plenty of episodes where the writers clearly had a preferred moral conclusion. The difference, for me, is in how often it still let the opposing view feel internally coherent, emotionally serious, and worth wrestling with before the resolution arrived.
Take The Outcast. Yes, the episode clearly wants you to sympathise with Soren, but the J’naii are not just framed as sneering idiots for 45 minutes. Their position is tied to a broader social order, Riker cannot simply speechify it away, and the ending is bleak rather than triumphant. Same with Ethics. Crusher is obviously the more humane voice, but Worf’s position is not treated as random barbarism. It comes from honour, fear, identity, and a real cultural framework, which is why the conflict works at all. You can disagree with how those episodes land while still admitting they spend more time inside the conflict.
That is really my criticism of newer Trek. It is not that it has politics, or even that it has a preferred answer, because Trek always has. It is that newer Trek too often signals the answer immediately, flattens the dissenting side into an obstacle, and then resolves the issue in a way that feels morally pre-approved. Old Trek could be didactic too, but it was more willing to leave the audience sitting in the mess for a while. That is the distinction I am getting at.
I understand your point, but I think you are having a lesser opinion of new trek because you are missing some of the messages they want to share with the viewer.
In Ko’Zeine the conflict is not between self and tradition, but more about the internal conflict of Darem. The enemy here is his own crippling self-expectation, not society. I think this conflict resonate a lot with modern morality topics such as LGBTQ+ acceptance.
In Vox in Excelso is the same: the fake battle is a compromise. Both the federation and the klingon knows it is a farse. But they go with it anyway as a way to preserve their own self representation in a post burn galaxy. To me Vox in Excelso is political realism. The klingon are not treated as an obstacle to be tricked, but as political partner in a mutual charade. In the episode this is explicitly framed as a klingon solution to a klingon problem.
In Ko’Zeine the conflict is not between self and tradition, but more about the internal conflict of Darem. The enemy here is his own crippling self-expectation, not society. I think this conflict resonate a lot with modern morality topics such as LGBTQ+ acceptance.
Either way, I feel the narrative is pre-approved, telegraphed at every opportunity, and leaves no room for ambiguity. I’m sure this theme does resonate with some people, but it’s not good storytelling. It doesn’t resonate beyond that small group.
Re Vox: I agree with your description of the storyline, and I am not disputing that is how the story was told. My point of contention is that the correct outcome was pre-approved. We all knew the “right” choice from the moment the choice was presented. There was never any doubt that the Klingons were wrong. Never any sympathetic exploration of the reasons for their cultural beliefs. Never a moment of critical self-reflection for the viewer. We were told up front “the Klingons are wrong, and we are going to take you on a journey to show you WHY the Klingons are wrong, and how we solve this problem of them being wrong.” It is more akin to an action movie than a Star Trek episode. We all know who the good and bad guys are, and we’re just excited to see shooty lasers on our journey to the foregone conclusion.
I appreciate you referencing the Orville’s most pivotal episode. And honestly, the twist involving Klyden’s reasoning for reassigning Topa, as a trans sci-fi nerd, broke my heart.
Spoilers about the most crucial arc of the story
That’s the perspective that a lot of people don’t have when they see that episode. It’s easy to take Klyden’s lawyer’s argument as legitimate when he makes the point of comparing it to the cultural version of a cleft lip.
And then Haveena walks into the room. And she proves, conclusively, that she is a woman and she would never choose to be anything other than what she is. That her gender is a gift. And then, later on, we see the hidden planet of the female Moclans, and it is so radically different from Moclus that you’d hardly believe this is the same species.
We see Moclan men testing weapons anywhere they please above civilian airspace, and the backdrop is an industrial wasteland because they never developed ecocentrism… because safety laws, industrial regulation, and other ‘soft’ ideas went unobserved and unvalued.
Contrast the Hidden Planet, and we see Moclan women, dancing in a style that they invented, revering the planet that protects them. We see women warriors carefully watching the Orville’s crew as little girls play in the street. It feels indescribably very… honestly, African. I can’t put my finger on why, but it does.
All of those differences are deliberate. And they were set up very, very early.
“When did Star Trek get so woke?” — My idiot former boss.
Back in 1965.
I believe it was also an old Shatner tweet (well, if memory serves, he technically asked when it got political) Surprised to see this shift from him. It’s a welcome one but I’m still not sure if I should trust this.
Only 37 years to go.
These days it seems like most things getting called “woke DEI crap” are totally in line with the norms of society, but someone wants to change that.
Yeah, loopy religious people who want to take society back to the middle ages.
Pretty sure “woke DEI crap” is universally understood as pandering. And everyone is pissed at stories being written specifically to scream woke crap at you instead of just incorporating diversity in, as it fits the story itself, and moving on with a good show.
it applied to all SCI fi show both pre-STD(DISCOVERY) thats what really got thier panties in a wad, when kurtzman made all the women have lead roles.SG1 wasnt spared either, as recently Invincible was called woke, just because the female general in coalition took command of the ship (the planet of ragnarrs) to refreeze the beasts.
there was definitely a concerted effort around 2020(thats when woke became super prominent in comments of shows like star trek) around election time to illicit more voters to side with conservatives through propaganda.
Invincible was called woke, just because the female general in coalition took command of the ship
And don’t forget, Mark first GF is now black! The horror!
the moment maga calls something woke… I embrace that game/tvshow/movie/book. they all turn out to be pretty good (other than a few gacha games)
Its how I pick media these days too. Now that SFA is over, what are we watching?
Please don’t make me get a Truth Social account to mine for our viewing list.
the pedo protectors love posting their lists everywhere. hell I’ve even seen them on rednote.
currently I am watching every yuri and BL coded donghau I can find.
Sometimes they’re accidentally right about something sucking, but always for a different reason than culture war BS. Ghostbusters 2016, for example.
I disagree, Ghostbusters: Answer the Call received way more hate than it deserved. I really enjoyed it and I have rewatched it a bunch of times, more than I’ve rewatched Ghostbusters 2. Holtzman is my favorite character and I love the goofy dance she does with Abby. And I love Chris Hemsworth’s character, he does big goofy handsome guy really well.
It was way better than the last 2. I watched Afterlife once and I have no interest in watching Frozen Throne at all.
My only issue with that movie was the timing of a few jokes (they made them longer than they should so they stopped being fun) and that the trailer spoiled half of the jokes. The movie itself is cool.
The newest ones? their only redeeming quality for me is Egon’s granddaughter. The kid is really good. Everything else is just the dumbest nostalgia bait ever (even having the mom’s boyfriend a literal stand in for the kind of fan the movies pander to).
I can see where some of the jokes drag on a bit, but I’m personally ok with that. I’ve rewatched it a bunch of times when I use the elliptical or stationary bike at the gym. I feel like the extra laughs give my abs a workout 🤷♀️ lol. I laugh my ass off at “The power of Patty compels you!!” and “Is it more or less disgusting if I tell you it came out the front?” every single time. I adore Holtzman so much.
For me, the new ones don’t have a redeeming quality, that’s not the kid actors faults though. Afterlife came out when we still weren’t going to theaters because of COVID. I was very excited for it and I bought it at full price the day it came out on iTunes. I watched it that night and the first thing I remember saying after it was over was “what the fuck was that shit?” All that nostalgia baiting cash grabbing was gross. And the CGI Egon at the end made me feel sick to my stomach, it felt disrespectful to Harold Ramis. I can’t even bring myself to be interested in Frozen Empire.
I often see people complain that a franchise “forgot” what they are supposed to be about and IMO, that is exactly what happened with GBA and GBFE. They completely forgot that GB is a raunchy horror comedy and made a family friendly coming of age “scary” movie. It’s an entirely different genre.
I’m with you. 2016 may not compare to the original, but it was a solid comedy with a good heart. The bloody meltdown parts of the internet had over it was insane.
Meh. Leslie Jones’s character was the laziest “sassy black woman” stereotype I’ve ever seen. Whoever wrote that drivel isn’t fit to work on a 3rd rate sketch comedy show let alone a big budget Hollywood movie.
Holy fuck, how many of the things have they made? Jurassic fucking Park over here lol.
JP series with chris pratt is also bad, but i dont see conservative complaining about that, oh becauses the one as the lead, and not someone J Lawrence. i bet they love him even more now that he identifies as a far right christian.
i noticed that to, STD was one, the show sucked bad. they almost are selfaware, they said terrible writing but then said it is due to wokeness and having women in the show. SG1 was an oddball it got called woke/lib by both tankies and conservatives. right about lucifer in sandman being casted by gwendoline, shouldve been the way in mythology and comics. but comes up with wokeness as the reason.
don’t remind me of that abomination. that 2016 movie doesn’t exist. erase it from my memories.
There have been a few examples I can think of where they’ve called something woke and it was legit pretty mid or outright bad. But usually that’s down to it being a game by committee by people who only interact with marvel level writing, like Dragon Age: Veilguard which is just shit or Mass Effect: Andromeda which honestly just kinda mid.
I actually liked Andromeda (the story concept) the game play was dog shit. if they had fleshed out the combat a bit more, used a different game engine, and published it not as a Mass Effect IP but as a stand alone game… it would have been golden.
I never thought of it like that. Fuck, that’s depressing.
99% of what you hear people like that accuse others of is pure protection. They’re telling you what they want to do without realizing it, so “woke agenda trying to brainwash our kids!” could be translated into “we want to brainwash kids toward our ideology.”
I remember a coworker saying something about trans people and how we can’t say anything anymore because it all has to be about them or something. I never got the impression this person was bigoted. It seemed completely out of character. I said something like (“They just want equal rights and the same respect as you and I. What’s the issue?”) Maybe people should worry more about weather or not their kids are learning the life skills they need to survive and less about weather or not their kids see two dudes kissing in a movie. Mom and dad need to untighten their buttholes. Even if I don’t understand something, I try to be empathetic and understanding to those who are different from me. I wish everyone else did.
They’re trying hard to change it. Almost like they have a playbook of some kind…
I did Nazi that coming
I didn’t personally care for it but I realized it wasn’t exactly for me so whatevs, just because there is a show in same universe as the other imaginary space shows I watch that I don’t like I realize I can just watch something else because I’m an adult (surely lol). It’s a damn shame scifi is full of such small minded persons, I certainly know scifi fandom has had a lot of problems in the past but things seemed to be improving, though I suspect this is more of a loud minority situation, unfortunately the loud minority are billionaires.
I’m of the unpopular Opinion that SNW was @ boring rehash of anything I could get from any other show that already exists, and Academy was something fresh. All these irate chickenshits would love SFA if it just had the serial numbers filed off, except that “its woke” because it acknowledges that people just fucking exist.
But hey, can’t jeopardize the popularity of a thing that’s someone else’s “property,” not even if that’s what it takes to live up to the actual legacy of the Original. Just leaving it to the community would actually let us make something beautiful, as we have done before, so that can’t be allowed.
I guess we’re just gonna get more Original Series fanfic that lands hollow for me, maybe a hunting-terrorists spy flick, and another mindless cash-grab movie whose screenplay will probably be mostly written by AI.
No more moral questions, no more interesting discussions of what an identity means, no more of what makes science fiction worthwhile as a genre - we have ships to explode - IN SPACE!!!1!!
Prodigy, a show written for literal children will be more interesting a topical exploration than a Larry Ellison property.
What a muddy comment. Took me two reads to try to figure out the argument therein, after which I stopped.
Lol “muddy” about sums it up
i dont think SNW was that good, the acting is too wooden, and some of the endings in seasons were like"is that it"? prodigy and lower decks were way better. With ellision in control of trek IP, fans that are usually “left” leaning, how are they going to justify watching and supporting someone like ellison.
It’s a silver lining to see Shatner using his platform for the greater good.
I recently learned that Shatner and Takei don’t actually use social media and all the posts you see from them are just some employees that were instructed to speak in their style.
It’s possible on a regular basis.
However, as with other high profile accounts, one expects that messages that are high profile would be cleared with the person under whose name the official account is made.
Not at all. Chapelle told that joke about hearing that “his” “official” Twitter account was having beef with Kat Williams’ “official” account. During one show when both of them were in the audience, he went over to Kat and told him the situation - to which Kat replied, “wtf is Twitter?”
I do recall an interview with Brent Spiner where he said something to that effect. I figured he (William Shatner) wrote some of them. I forgot about that.
I really dislike Takei’s one (Jay Kuo) because of how shamelessly he uses it to promote his own substack sometimes… and because of a specific substack post of his where he said “oh no it’s so bad Arizona got abortion banned… but there’s a silver lining, maybe they’ll learn to vote blue the next time” or some shit like that.
+3M people losing their body autonomy and the first thing you think is “hey this can be a good thing for our campaign”?? fucking ghoul…
Yeah, I always thought he was kind of a douche, but I guess his heart is in the right place.
I think Shatner is complicated because (a) he’s 95 years old, and can’t be expected to be fully “in touch,” and (b) he has definitely had some questionable people handling his social media over the years.
true, and he went with BEZOs into space as a tourist and became disappointed after, only for bezos to laugh for no reason after spraying him with ALCOHOL.
Yeah, it’s shatner so
youone expects him to be crass, andyouone forgets he was the first star trek captain. and agreed with the ideas being shown on screen (unlike, IDK, Barclay’s actor)Huh? What’s up with Barclay’s actor?
Right wing propaganda guy. Dwight Sclutz
fits, hes always a wierdo that needs a psychological help in the show, probably a wierdo in real lfie. he played the same wierdo character on sg1, 1st season i believe as the “virtual reality guy”
@Skullgrid @Maestro Never meet your heroes.
I’ve actually done pretty good meeting my heroes, they’re mostly down to earth types.
That speaks as much to your excellent choices in hero’s as to the hero’s themselves 🙂👍
Sooo many of them too. I just can’t rewatch Hercules or Lois & Clark.
Boy, do I wish I hadn’t read this comment. This makes me sad to know.
What really gets to me is that he’s fucking Mung Daal in Chowder, whose actor is was a literal kid. God knows what kind of poison lies he fed that boy. I really liked him in chowder too.
No more! I had no idea of that, either! I friggin loved that show! I am now double depressed. I wish to know no more!
Fuuuuuuuuuuuuuuck no. Barclay was my favorite minor character in anything ever. Today is a terrible day to have eyes
Aw man v.v
Jeffrey Hunter was the first Star Trek captain.
Oh I’m sorry, I didn’t realise the starring role of the TOS series , Captain Kirk was played by Jeffrey Hunter. How many episodes was he in?
Captain Christopher Pike was played by Jeffery Hunter in the first Star Trek series, but was only in the pilot or something before Shatner took the reins. If you were sincerely asking.
The first pilot that wasn’t aired. It’s what got turned into the Talos IV episode with Pike, they used that footage for his “dream” life
If you were sincerely asking.
not really. When people are thinking about their favourite captain, especially before the revival, Jeff was never in the running. Hell,
BakalarBakula is barely in the running.I agree. It’s one of those nerd pedantic facts that people throw out.
just, don’t ask him how many horses he owns
Yeah. I wish people like him, sulu, and stephen king would abandon it already though.
Looking at the downvotes, I don’t think anybody realized you meant “abandon Xitter,” not “abandon using their platform for the greater good.”
Lol! That’s too bad
The new trek was cancelled because some people hated it and had outsized influence.
So thanks, those of us who liked it don’t get any more of what we liked because a few dicks had outsized influence.
I don’t get to enjoy something because you didn’t like it. Thanks.
You could have just not watched it, but instead you had to ruin it for me too.
Fuck you. We all need to stop watching these fuckwits who think they know more than us. Unsubscribe from these channels. Stop watching them. They’re ruining our ability to watch things.
This is the one thing I will never understand. If you don’t like something just ignore it. If you think you are in the position that your opinion matters in any way you can declare why you don’t like something once and then move on. All those grifters and their brainless drones consume stuff they don’t like willingly and regularly. People who are of sound mind don’t do something like this.
Only happens when said grifters are trying to be online entertainers and can’t manage to scrape enough proper shit to present and discuss since bashing something new repeatedly gets noticed much better.
The new show was cancelled because not enough people watched it.
“Outsized influence” my ass.
Money talks. You think if the show hit the top ten in the streaming Nielsen stats that they’d cancel it because some people “didn’t like it”? Get real.
People are allowed to like something. People are allowed to dislike something. If enough people like it, the show gets enough viewers to continue. If not. It doesn’t.
People who don’t like it aren’t obligated to watch it just to prevent it from being cancelled for your sake.
Sorry, what happened?
The show felt unfocused and confused. The characters, like the storylines, were kinda all over the place and didn’t really seem to know where they were going. Too much effort seemed to be put into the show’s set and setting, and not enough effort went into the things that went into the sets and settings. It had a lot of potential, but it all of it never really seemed to come together.
It was the first season (and only 10 episodes in, at that, because TV production is stupid these days).
Imagine if you could only judge, say, TNG on the first 10 episodes.
Yeah unfortunately nothing works like it did during TNG-era anymore. There’s no more syndication, no soft continuity resets, no time to try different things. Every season of a show has to be a 12 hour movie, with every episode integral to the last. You just can’t do that for more a handful of seasons before show runs out of steam dramatically. Shows have be in the groove from the start or they’re just going to be cancelled.
It’s why I don’t even bother torrenting any series anymore. It’s a failure of the modern enshitified financified mega monopoly dystopia rather than the shows themselves though.
On one hand, I would say that it was, by far, the worst first season of any Star Trek show so far. On the other hand, I don’t think it deserved to be canceled. Just heavily reworked, much like TNG after its first season.
But Kurtzman has a pretty poor track record, and it’s just been getting worse and worse and worse. With the exception of Lower Decks, which was exceptionally awesome. seriously. That show was fucking amazing, and I really miss it.
Academy has a great premise, and I actually really like all of the actors and the prototypical concepts for the characters, but the rendering of all of them is just a total mess. it’s hard to say what to do with all of them because, honestly, I hardly even know where to start. There’s just so much… I don’t even know where to start. It’s a lot. It’s like I have all of the ingredients for a really awesome Thanksgiving dinner, but someone put them all in a blender. And now I have to deconstruct the whole thing and start from scratch. Like, it’s all there, but someone makes it all up the wrong way. I don’t know.
I didn’t know the show was canceled. That’s too bad. It deserved another chance. You could tell all of those actors were working really really hard, and they all had a lot of talent. Honestly? I think that they deserved a lot better.
Imagine if you could only judge, say, TNG on the first 10 episodes.
Still better, more original, with characters (and actors) on a WHOLE DIFFERENT LEVEL.
In that level? Better production staff
All new Trek series feel unfocused and confused in their first season. Watch the first season of TNG or DS9 and tell me it was tight. Every Trek is kind of a mess at first.
Well… yes, but not anywhere near as bad as this. This was like a bad GHB trip, crazy nightclub setting and all. For any new television show, there are at least a couple dozen foundational elements that set the overall direction of the show and where it’s going, but for this show, all of them were crazy haywire, pointing in a bunch of different directions none of them coordinated. For a normal TV show, when a few of them don’t really work out, they can be re-oriented or smooth out or whatever, but that is made easier because they’re all kind of heading in the same direction. With academy, none of them were ever heading in the same direction, none of them really knew what they wanted to be or what they were even about, or where they were going, so there’s no way to smooth them out or rework them, because any new version of them is still gonna be going in some random direction and wouldn’t know what they were going to be.
If I were the one who was in control of all of this, the first thing I would do, besides firing Alex Kitzman, would be to reboot the show entirely. To make sure that, from the start, everything was coordinated and aligned, and everything was all heading in the same direction, and everything knew what it was, everyone knew what they were or at least where they were headed, and what they were eventually going to be, and we were all on the same page. That everything made some sort of sense, or at least would eventually makes sense, and that we were all on a journey to the same destination. Because, if anything was extremely obvious about this show, it was that nobody had any sort of destination in mind.
Luck, I get what you’re trying to say. Star Trek is very famous for having terrible first seasons for their shows. But this one… This one was different. This first season be lied the fact that no one was thinking of the same thing. No one had any sort of central planning for where they were going. Everyone working on the show was thinking of something different, and there was never any possibility of it all coming together at the end, and we saw that because, at the end of the season, it really didn’t come together at all. At the end of the season, every character, every storyline, every different location, ended up somewhere completely on its own. And nothing really ended up, making any sense at all. And, for every other Star Trek show, during its first season, they were at least able to resolve it in one way or another. All the arcs came to a conclusion, all the storylines ended up in one place, and everything was resolved. But in this case? We were no better off than when we were in the beginning. Lost and confused.
i’m pretty sure it’s because they tried to make degrassi in space.
academy? kurtzman ruined every trek he showrunned, if they dint figure it out with STD, SNW, AND picard they arnt going to with academy. they are running out of Ideas for a trek show. making the show only 10-12episodes per season hurts it as well.
It was canceled because they only renew golden geese. Whatever idea you have about how TV is created is almost certainly 20 years out of date.
It’s like how Breaking Bad had a new season every year, but Plurburus will have a 2-3 year hiatus between seasons 1 and 2.
Or how they filmed all 3 LOTR movies at once and released them over several years because things used to be done with a vision beyond improving quarterly profits.
Is it?
Many, many shows are cancelled now because they don’t meet eyeball quotas, even though the people producing them have trained us not to watch things until they’re established, because we know they’ll be cancelled.
That roundabout has guaranteed the cancellation of anything remotely interesting and, therefore, unsafe for years now.
Or is my understanding 20 years out of date?
shat is part of the problem, outspoken anti-trans
I’m not defending him, but let’s be honest with ourselves here. He was born nearly a decade before World War II. It’s amazing that he’s this progressive, plus he actively supported African American rights. And if you don’t believe me, why not hear it from Nichelle Nichols herself. Credit where credit is due.
He is.
Doesn’t mean we can’t take him out of context and use his words to advocate for more than just the things he thinks they advocate.
He has it right here. That he doesn’t fully know that is his problem.
He’s such a straight white cis man! (Apparently that’s a slur to him.)
How dare you use the Star Wars term!
quelle irony
Good shit to him. He’s 100% right here.
The science fiction and adventure part of the show is absolute garbage. If it has been good, people would be able to have their cookie while being lectured to about what they should believe.
In the early iterations of the 1960s smash hit Star Trek, audiences were shocked and titillated to see a white male officer in a romantic relationship with a black woman officer.
This continues to be shocking today, as modern audiences are not ready to see any (fully clothed) woman in any form of Sci-Fi media doing anything at all.
Uhh Kirk and Uhura were most definitely not in a relationship, they were forced to kiss against their will.
I guess i’m in the minority of people who thought Janeway was the best starship captain as a kid. She’s badass and she drinks coffee.
Janeway was the best starship captain as a kid
Definitely feels generational. I’ve got a friend who is a Janeway diehard. But she didn’t really get into it until Voyager.
Picard will always be my captain of choice, but that might have its roots in watching the show as a little kid with my very bald father whom my mom teasingly referred to as “The Captain” when the show was on.
I agree, I love Picard don’t get me wrong but Janeway was always my favourite, she kicks ass and is just fucking cool
I really like Picard and Shran as favourites but I’d much rather work for Janeway. I really enjoyed the duality of her morals from Admiral Janeway breaking temporal directive to try to go back and save her crew at any cost. When I was younger I couldn’t understand how Admiral Janeway was so different but now that I’m older, I get it.
How can you not enjoy watching Tom and Harry strike out every 4th episode with the mythical twins as well. Absolute cinema. Also Borg ship ablative armor was fire.
With you 100% on that. I love Picard, but it’s Janeway I’d trust to get me through the delta quadrant.
modern audiences are not ready to see any (fully clothed) woman in any form of Sci-Fi
What? Pluribus was the biggest new Sci Fi TV show last year, was liked by critics and audiences, and won a bunch of awards.
Same with Silo and Foundation. This is like “reverse racism” but sexism instead.
I wouldn’t say woke is against norms, rather against traditionalism. Traditionalism itself is often abnormal, even within its own culture.
