Yea, Discovery is the best case for virtue signaling being a real thing, which is unfortunate because Trek’s literal entire thing is coming off as “common sense” while spreading a progressive message through allegory.
I have to say, I tried really hard but holy crap was the “in your face-ness” of it a problem for me and one of like 5 reasons I can’t stand it.
It’s definitely not any of the concepts, etc. Good to see diverse, women-strong, etc casts and plots. But a lot of it was written A) incredibly poorly, like to try to appeal to middle schoolers, B) it couldn’t stop telling us REALLY LOUD and artificially how progressive it was, and it was jarring and annoying.
Edit: and I’d argue they dropped nearly all of the progressive parts of, say TNG. Or, like, where adults acted like grownups.
it couldn’t stop telling us REALLY LOUD and artificially how progressive it was, and it was jarring and annoying.
Do you have any examples of this?
Edit: Well, they edited their comment and have replied to a bunch of other people yet haven’t responded here so… I’m going to go with no. They don’t have any examples of this. Mainly because it didn’t happen.
Even then, Trek hasn’t really pushed the boundaries for a good long time. When it hit it big by TNG/TOS Syndication, it ended up being the cash cow, and thus not worth risking for such controversial things.
At most, it’s just been nudging the norm, but the kind of radical shove that TOS had, and nearly got it pulled off the air twice is basically nowhere to be found.
At most, we got one or two token characters or plots, but a lot of it is mostly the norm, or just a little ahead of it.
Compare it to something less established and free to take on more risk, like the Orville. Since it doesn’t have the big brand that networks want to keep reaping without sowing, it gets a lot of flexibility Trek doesn’t really have any more.
Yea, Discovery is the best case for virtue signaling being a real thing, which is unfortunate because Trek’s literal entire thing is coming off as “common sense” while spreading a progressive message through allegory.
I have to say, I tried really hard but holy crap was the “in your face-ness” of it a problem for me and one of like 5 reasons I can’t stand it.
It’s definitely not any of the concepts, etc. Good to see diverse, women-strong, etc casts and plots. But a lot of it was written A) incredibly poorly, like to try to appeal to middle schoolers, B) it couldn’t stop telling us REALLY LOUD and artificially how progressive it was, and it was jarring and annoying.
Edit: and I’d argue they dropped nearly all of the progressive parts of, say TNG. Or, like, where adults acted like grownups.
I have only one response to you:
Do you have any examples of this?
Edit: Well, they edited their comment and have replied to a bunch of other people yet haven’t responded here so… I’m going to go with no. They don’t have any examples of this. Mainly because it didn’t happen.
Even then, Trek hasn’t really pushed the boundaries for a good long time. When it hit it big by TNG/TOS Syndication, it ended up being the cash cow, and thus not worth risking for such controversial things.
At most, it’s just been nudging the norm, but the kind of radical shove that TOS had, and nearly got it pulled off the air twice is basically nowhere to be found.
At most, we got one or two token characters or plots, but a lot of it is mostly the norm, or just a little ahead of it.
Compare it to something less established and free to take on more risk, like the Orville. Since it doesn’t have the big brand that networks want to keep reaping without sowing, it gets a lot of flexibility Trek doesn’t really have any more.