Then blame execs and showrunners, not the audience. American audiences are savvier than he thinks, just because he had one pitch that didn’t fare well with American audiences doesn’t mean that they won’t embrace more complicated elements of The Witcher.
Plus it just sounds sad; blame audiences for something you, as a producer, can’t effectively produce.
Then blame execs and showrunners, not the audience. American audiences are savvier than he thinks, just because he had one pitch that didn’t fare well with American audiences doesn’t mean that they won’t embrace more complicated elements of The Witcher.
Plus it just sounds sad; blame audiences for something you, as a producer, can’t effectively produce.
He wasn’t showrunner, just EP on 16 episodes, and he can’t burn the showrunner or Netflix if he wants more work in the industry.
I didn’t say he was a showrunner.
Fair, but:
the storylines that he’s complaining about weren’t his to produce, they were the showrunner’s