A system for distributing information and rewarding it’s creators should not be one based on scarcity, given that it costs nothing to copy and distribute information.
That was fine then, but it makes zero sense today.
If a book is on sale widely to the public, and it costs nothing to copy and distribute that book to everyone, why shouldn’t we?
The fundamental problem with copyright is it is a system that rewards creators by imposing artificial scarcity where there is no need for one. Capitalism is a system designed around things having value when they’re scarce, but information in a world of computers and the internet is inherently unscarce the instant it’s digitized. Copyright just means that we build all these giant DRM systems to impose scarcity on something that doesn’t need it so that we can still get creators paid a living.
But a better system would for paying creators would be one of attribution and reward, where everyone can read whatever they want or stream whatever they want, and artists would be paid based on their number of views.
But a better system would for paying creators would be one of attribution and reward, where everyone can read whatever they want or stream whatever they want, and artists would be paid based on their number of views.
If you’re referring to copyright as the actual effective title as owner of the works then yes. If you’re referring to copyright as in our system if copyright == monopoly, then no.
This involves trying to imagine a system other than the one we currently use.
The concept of exclusive ownership makes sense for material goods because if I have an object, you cannot have that object. If I want a copy of that object, it takes the same amount of resources as it took to make the original object. It’s a fundamental property of matter and energy, but information does not have the same properties. Information can be stored infinitely smally, and replicated for virtually nothing, as many times as you want.
In the digital age, where every single person now has an incredibly powerful information processing machine that is networked to every single other one, it means that once information is digitized, it costs us virtually nothing to distribute it to everyone on earth who wants it.
Copyright only exists, because once we started to be able to do this with early technologies like the printing press, vinyls, VHS, etc, it showed that you could rapidly drive the value of that work down to zero dollars, because in capitalism, thing only have value if they are scarce. Air is a necessity for everyone to live but it costs nothing because it’s all around us. It suddenly gets valuable in places where it’s scarce, but as long as it’s abundant, it has no value according capitalism. So continuing to allow the free copying of works meant that the original creators would never get rewarded. This made some sense at a time when it took months and a ton of resources to chop down trees, make paper, print a book, and ship it across the world and then get a response back regarding it.
But now, in the digital age, we have all the tools we need to build a middle man free service that would allow everyone to watch or read anything, and reward the creators based on how much their works are used or viewed or remixed. It’s basically how music streaming services and the behind the scenes remix/sampling licensing deals work already, they just have a ton of corporate middle men taking profits at every step.
In print media, advertising driven models are hamfisted work arounds that do the same thing of providing the information to everyone, but again, with middle men that fuck the authors and ruin the experience for readers.
Spotify, Apple Music, etc could all still exist, they’d just all have access to the same content catalog and you’d be picking and paying solely based on the quality of the interface and service they provide.
It’s also not a crazy idea that once you create an idea you don’t get to exclusively own it. For the vast majority of human history, copyright did not exist, and the only way that stories and songs and ideas were passed on was through chains of people copying and retelling them.
This involves trying to imagine a system other than the one we currently use.
No it doesn’t. Just because the work I created was done in paint or word doesn’t make it any less mine. Just because I could distribute it freely doesn’t make me obligated to. I am justified in asking for compensation and proposing limits on how it’s shared.
This is no different to printing the physical version of these works. I could print 10 copies of the book and tell my friends they cannot distribute it. Just the same I could send them an email with the works and say the same thing.
There is no difference here.
But now, in the digital age, we have all the tools we need to build a middle man free service that would allow everyone to watch or read anything, and reward the creators based on how much their works are used or viewed or remixed.
This has no logical basis in your response though. You’re saying that creators of works would have no say in how much a digital work is copied/transferred. How do you prove how much a work is even used/viewed? That would require heaps and loads of DRM management and to go after those who circumvent those measures… which takes money/infrastructure… and GASP That’s exactly what the publishers are doing now! Look at that!
How do you prove how much a work is even used/viewed? That would require heaps and loads of DRM management and to go after those who circumvent those measures… which takes money/infrastructure… and GASP That’s exactly what the publishers are doing now! Look at that!
We’ve proven time and time again that people will pick the legal option as long as it’s more convenient and a better product than the illegal one.
Spotify and Netflix stomped piracy in every region they entered, PC games that don’t have DRM still sell like crazy through Steam.
And while it would require monitoring of metrics, that’s not the same as DRM that prevents you from using something.
But it doesn’t sound like you care to imagine a different system or why it would be better, you seem to just want to demand that the concept of information ownership stay exactly as the 1900s US Congress and Court System, in all their unquestionable wisdom, determined it should be.
Sure, you don’t actually own it. The words you strung together are not actually yours nor is the grammar you strung it together with. The knowledge you used to create it is also not yours.
The only way to ensure no one reads, borrows, or “steals” your work is to never share it with anyone and certainly never put it on the Internet.
The only way to ensure it is truly yours is to never have participated in society, invent your own language, and of course hide it from ever being discovered.
This is the only real way. You need to create in a vacuum and lock it up so no one will ever find it. Then and only then can it truly be yours.
Yeah. In a better world where the US court system doesn’t get weaponized and rulings aren’t delayed for years or decades, I would argue 8 to 15 years is the reasonable number, depending on the type of information being copyrighted.
I personally like the idea that Copyright should be on par with design patent law. An initial filing 10-15yrs plus two additional opportunities to renew and extend it for 10 years if the creator can make supplementary creations that were dependent on and based off of the original works. -In the case of novels, that would equate to new sequels or prequels.
Fuck Copyright.
A system for distributing information and rewarding it’s creators should not be one based on scarcity, given that it costs nothing to copy and distribute information.
It was fine when the limited duration was a reasonable number of years. Anything over 30 years max before being in the public domain is too long.
Thanks, Disney.
Things I’ve never heard said before
Huh. That made me realise I probably never heard or read “Fuck you, Obama”. Don’t live in the USA though.
That was fine then, but it makes zero sense today.
If a book is on sale widely to the public, and it costs nothing to copy and distribute that book to everyone, why shouldn’t we?
The fundamental problem with copyright is it is a system that rewards creators by imposing artificial scarcity where there is no need for one. Capitalism is a system designed around things having value when they’re scarce, but information in a world of computers and the internet is inherently unscarce the instant it’s digitized. Copyright just means that we build all these giant DRM systems to impose scarcity on something that doesn’t need it so that we can still get creators paid a living.
But a better system would for paying creators would be one of attribution and reward, where everyone can read whatever they want or stream whatever they want, and artists would be paid based on their number of views.
Which would be enforced through copyright…
If you’re referring to copyright as the actual effective title as owner of the works then yes. If you’re referring to copyright as in our system if copyright == monopoly, then no.
So if I own it… as the sole writer of some work. But don’t have a monopoly over how it’s used…
What the fuck logic is that? Can you care to explain how I, as the owner of the work cannot impose whatever limits I want to it?
This involves trying to imagine a system other than the one we currently use.
The concept of exclusive ownership makes sense for material goods because if I have an object, you cannot have that object. If I want a copy of that object, it takes the same amount of resources as it took to make the original object. It’s a fundamental property of matter and energy, but information does not have the same properties. Information can be stored infinitely smally, and replicated for virtually nothing, as many times as you want.
In the digital age, where every single person now has an incredibly powerful information processing machine that is networked to every single other one, it means that once information is digitized, it costs us virtually nothing to distribute it to everyone on earth who wants it.
Copyright only exists, because once we started to be able to do this with early technologies like the printing press, vinyls, VHS, etc, it showed that you could rapidly drive the value of that work down to zero dollars, because in capitalism, thing only have value if they are scarce. Air is a necessity for everyone to live but it costs nothing because it’s all around us. It suddenly gets valuable in places where it’s scarce, but as long as it’s abundant, it has no value according capitalism. So continuing to allow the free copying of works meant that the original creators would never get rewarded. This made some sense at a time when it took months and a ton of resources to chop down trees, make paper, print a book, and ship it across the world and then get a response back regarding it.
But now, in the digital age, we have all the tools we need to build a middle man free service that would allow everyone to watch or read anything, and reward the creators based on how much their works are used or viewed or remixed. It’s basically how music streaming services and the behind the scenes remix/sampling licensing deals work already, they just have a ton of corporate middle men taking profits at every step.
In print media, advertising driven models are hamfisted work arounds that do the same thing of providing the information to everyone, but again, with middle men that fuck the authors and ruin the experience for readers.
Spotify, Apple Music, etc could all still exist, they’d just all have access to the same content catalog and you’d be picking and paying solely based on the quality of the interface and service they provide.
It’s also not a crazy idea that once you create an idea you don’t get to exclusively own it. For the vast majority of human history, copyright did not exist, and the only way that stories and songs and ideas were passed on was through chains of people copying and retelling them.
No it doesn’t. Just because the work I created was done in paint or word doesn’t make it any less mine. Just because I could distribute it freely doesn’t make me obligated to. I am justified in asking for compensation and proposing limits on how it’s shared.
This is no different to printing the physical version of these works. I could print 10 copies of the book and tell my friends they cannot distribute it. Just the same I could send them an email with the works and say the same thing.
There is no difference here.
This has no logical basis in your response though. You’re saying that creators of works would have no say in how much a digital work is copied/transferred. How do you prove how much a work is even used/viewed? That would require heaps and loads of DRM management and to go after those who circumvent those measures… which takes money/infrastructure… and GASP That’s exactly what the publishers are doing now! Look at that!
We’ve proven time and time again that people will pick the legal option as long as it’s more convenient and a better product than the illegal one.
Spotify and Netflix stomped piracy in every region they entered, PC games that don’t have DRM still sell like crazy through Steam.
And while it would require monitoring of metrics, that’s not the same as DRM that prevents you from using something.
But it doesn’t sound like you care to imagine a different system or why it would be better, you seem to just want to demand that the concept of information ownership stay exactly as the 1900s US Congress and Court System, in all their unquestionable wisdom, determined it should be.
Sure, you don’t actually own it. The words you strung together are not actually yours nor is the grammar you strung it together with. The knowledge you used to create it is also not yours.
The only way to ensure no one reads, borrows, or “steals” your work is to never share it with anyone and certainly never put it on the Internet.
The only way to ensure it is truly yours is to never have participated in society, invent your own language, and of course hide it from ever being discovered.
This is the only real way. You need to create in a vacuum and lock it up so no one will ever find it. Then and only then can it truly be yours.
Yeah. In a better world where the US court system doesn’t get weaponized and rulings aren’t delayed for years or decades, I would argue 8 to 15 years is the reasonable number, depending on the type of information being copyrighted.
I personally like the idea that Copyright should be on par with design patent law. An initial filing 10-15yrs plus two additional opportunities to renew and extend it for 10 years if the creator can make supplementary creations that were dependent on and based off of the original works. -In the case of novels, that would equate to new sequels or prequels.
deleted by creator