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Joined 8 months ago
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Cake day: March 24th, 2024

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  • Fwiw, on my m3 + max ram, I also was recording 1080p 30-ish minute obs videos for a while running large Ableton Live project playback + a facecam, and (while I don’t remember specs specifics) I didn’t find it to be unstable. I don’t do heavy video editing, so I’m not sure about the requirements, but for obs in 1080, it felt fine for me. I think I also exported some edited 4k footage at one point though, and I seem to remember rendering that one took a solid amount of time, so if you think you might move to 4k, pro might be more appropriate.

    But I remember having specs reservations when getting my air, and I have not regretted it at all. Especially when I see my friends lug around their monster of a laptop. Those pro machines are thicc







  • Two. Depending on the situation, maybe two shots, two coffees, two decafs, or two hours.

    But definitely not after 2pm. I need to sleep later.

    fwiw I don’t think 4-6 shots is too far out of the norm if not daily. Double-shots are not uncommon, and 2-3 of those on occasion seems rather reasonable. I just would hope you drink a good amount of water the rest of the day. Now if you mean that you downing 6 double-shots… are you Dan Campbell?




  • ? I mean I’m not disagreeing with you. Each of these step changes increased the usage of technology dramatically. I’m not really naming dubstep as the instigator as much as much as I’m just using that to describe the general point in time where I felt like computers became more prevalent as the defacto composition tool. I feel like this is around the time where computer music has really evolved in usage in all genres. For example, the amount of computers in new orchestral scores right now is wild. Of course it was used long before this, but there’s a big difference between usage in specific genres and/or to make music stand out, and it being a part of the general palette for every genre.


  • I would say no.

    Honestly, since directly after the dubstep craze era, there has been suuuuuuch good music, because I feel like that’s when electronics became much more mainstream for ALL musicians to play with. Prior and during that time, I think a lot of electronic music was about experimenting with sounds. But during that era I think was when everyday musicians got comfortable with the soundscapes, and started incorporating all their other music knowledge and to make more varied, complex, and interesting stuff.

    The problem is just finding the good music, since it can be so quick for anyone to produce and distribute it. There’s just way too much.





  • I use something similar that I bought in Taiwan as a backup to paper filters, since I am often traveling and can’t always find v60-style filters. Some thoughts:

    • It can be annoying to clean
    • When I want more than a rinse, I wash it extra by boiling it in tea; that seems to work well.
    • It does have a bit of a different flavor compared to paper. As a light-roast drinker who grinds with a Timemore C3, I prefer paper for taste. In the James Hoffman vid other people linked, he describes it as “extra richness and body” for light roasts, but I kinda describe it more as “clouding some of the bite and clarity”. It’s definitely still quite good, and I still prefer the cloth over French press.
    • I do find it quite convenient for my use as a backup to paper filters in my “ultra-portable” setup.

    coffee filter sock

    Pictured here with small *PAT Tetradrip. A proper v60 is 100% better taste than the Tetradrip; but it’s a really convenient foldy-size.