One of the all-time great bandleaders and writer of Christmas classic Fairytale of New York, MacGowan invigorated rock with the power of Irish folk music

Shane MacGowan, the lead singer and songwriter of trailblazing Celtic punk band the Pogues and one of the all-time great bandleaders, has died aged 65 following a long period of ill health. A family statement said he died at 3.30am on 30 November, and was described as “our most beautiful, darling and dearly beloved”.

His wife Victoria Mary Clarke wrote in a statement on social media: “Shane will always be the light that I hold before me and the measure of my dreams and the love of my life … I am blessed beyond words to have met him and to have loved him and to have been so endlessly and unconditionally loved by him.”

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    11 months ago

    This is the best summary I could come up with:

    Shane MacGowan, the lead singer and songwriter of trailblazing Celtic punk band the Pogues and one of the all-time great bandleaders, has died aged 65 following a long period of ill health.

    Early in his career, he often performed in a union jack suit – but in Julien Temple’s 2020 documentary, Crock of Gold: A Few Rounds With Shane MacGowan, he said: “I was ashamed I didn’t have the guts to join the IRA – and the Pogues was my way of overcoming that.”

    Irish president Michael Higgins was among those paying tribute, writing: “His words have connected Irish people all over the globe to their culture and history … The genius of Shane’s contribution includes the fact that his songs capture within them, as Shane would put it, the measure of our dreams – of so many worlds, and particularly those of love, of the emigrant experience and of facing the challenges of that experience with authenticity and courage, and of living and seeing the sides of life that so many turn away from.”

    He began drinking as a child when his family gave him Guinness to help him sleep, and suffered from the effects of drug and alcohol abuse, but argued in 1990: “Self-abuse, or whatever you wanna call it, is also incredibly creative.”

    The band drew rave reviews for their debut album, 1984’s Red Roses for Me, but the group struggled to capitalise on its success owing to its highly combustible lineup – which sometimes saw the Clash’s Joe Strummer fill the absent MacGowan’s shoes.

    Among his final artistic output was The Eternal Buzz and the Crock of Gold, a lavish art book which was praised by critic Waldemar Januszczak for MacGowan’s “demented, wild, fascinating, scabrous kind of energy”.

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