The New York Times’ roundup of musicals, plays and festivals opening in New York over the next few months. Musicals include:

September

RUN BAMBI RUN Gordon Gano of the Violent Femmes and the playwright Eric Simonson (?Lombardi?) have collaborated on this new true crime saga in the form of a musical. With new songs from Gano, Simonson?s book is based on the story of Lawrencia Bembenek, a Milwaukee police officer who was convicted in 1981 of killing her husband?s ex-wife. Known as Bambi, Bembenek escaped from prison, was later caught and maintained her innocence until her death in 2010. Mark Clements directs. (Sept. 13-Oct. 22, Milwaukee Repertory Theater)

MELISSA ETHERIDGE: MY WINDOW From her Kansas childhood to her years in the male-dominated rock business, Melissa Etheridge entertains with stories and many of her songs. Seen Off Broadway at New World Stages last year, Etheridge?s show has a lot of humor and a few gut punches too (her son died of a drug overdose). The almost-solo show (a roadie character is along for the ride) heads to Broadway with the same director, Amy Tinkham. (Sept. 14-Nov. 19, Circle in the Square Theater)

GUTENBERG! THE MUSICAL! I still remember how much my abs hurt ? back in 2011 ? from laughing at Josh Gad and Andrew Rannells in ?The Book of Mormon.? So their reunion is a season highlight. This time, they play aspiring (and inept) musical theater creators doing a backer?s audition of their new play about the inventor of the printing press. If the subject sounds dry, don?t worry ? they have injected plenty of wildly inaccurate history into their script to spice things up. The show, written by Scott Brown and Anthony King (?Beetlejuice?), started out at the Upright Citizens Brigade Theater, and has run Off Broadway. Alex Timbers directs. (Sept. 15-Jan. 28, James Earl Jones Theater)

BILLY STRAYHORN: SOMETHING TO LIVE FOR This new musical tells Strayhorn?s story, from his poor upbringing in Pittsburgh to fame as one of the greatest jazz composers, including his collaborations with Duke Ellington and Billie Holiday, and his life as an openly gay Black man living through the early days of the civil rights movement. The Broadway veteran Darius de Haas (who did the vocals for the Shy Baldwin character in ?The Marvelous Mrs. Maisel?) stars as Strayhorn, with J.D. Mollison as Ellington. The book is by Rob Zellers and Kent Gash, who also directs. The music and lyrics are by Strayhorn, and Matthew Whitaker will conduct a nine-piece jazz band. (Sept. 19-Oct. 11, Pittsburgh Public Theater)

MERRILY WE ROLL ALONG Daniel Radcliffe, Jonathan Groff and Lindsay Mendez star in this Broadway revival of Stephen Sondheim and George Furth?s musical about three friends trying to make it in showbiz. The story is told in reverse chronological order, allowing us to see the broken ties of later life before the starry-eyed hopefulness of younger days. Maria Friedman directs. The 1981 Broadway debut was a flop, but this production, with a sold-out, well-reviewed run at New York Theater Workshop, might have the makings of a smash. (Sept. 19-March 24, Hudson Theater)

THE WIZ This musical ? an adaptation of L. Frank Baum?s children?s book with an all-Black cast ? was a hit in 1975 with Andr? De Shields in the title role. The new production kicks off a national tour in Baltimore, starring Alan Mingo Jr. as the Wiz, Nichelle Lewis as Dorothy and Deborah Cox as Glinda. The show is intended to hit Broadway in spring 2024, with Wayne Brady stepping into the title role in time for appearances in San Francisco and Los Angeles. ?The Wiz? features a book by William F. Brown, with additional material by Amber Ruffin and a score by Charlie Smalls (and others). Schele Williams (?The Notebook?) directs. (Tour begins Sept. 23, Hippodrome Theater)

HERE WE ARE Stephen Sondheim fans will get to see one more new musical by the master, who died in 2021, when this long-gestating show, a collaboration with the playwright David Ives and the director Joe Mantello, has its world premiere. The musical is adapted from two Luis Bu?uel films, ?The Discreet Charm of the Bourgeoisie? and ?The Exterminating Angel.? Sondheim was guarded about the exact story, telling The New York Times days before he died: ?I don?t know if I should give the so-called plot away, but the first act is a group of people trying to find a place to have dinner, and they run into all kinds of strange and surreal things, and in the second act, they find a place to have dinner, but they can?t get out.? The talented cast includes Tracie Bennett, Bobby Cannavale, Micaela Diamond, Amber Gray, Denis O?Hare, Steven Pasquale and David Hyde Pierce. (Sept. 28-Jan. 7, the Shed?s Griffin Theater)

October

STEREOPHONIC A rock band recording a new album in the mid-1970s is catapulted to stardom much quicker than its members could have imagined in this new play by David Adjmi (?Marie Antoinette?), featuring music by Will Butler, formerly of Arcade Fire. Does the group make it, and stay together? Daniel Aukin directs. (Oct. 6-Nov. 19, Playwrights Horizons)

I CAN GET IT FOR YOU WHOLESALE Santino Fontana stars in a revival of this 1962 musical about a shamelessly corrupt Depression-era shipping clerk. The original book, by Jerome Weidman, based on his 1937 novel, has been revised by his son, John Weidman, with music and lyrics by Harold Rome. Trip Cullman directs a cast that also includes Adam Chanler-Berat, Rebecca Naomi Jones, Judy Kuhn, Sarah Steele and Julia Lester. (Oct. 10-Dec. 3, Classic Stage Company)

THE GREAT GATSBY The heartthrob Jeremy Jordan is the eccentric millionaire Jay Gatsby in this new musical based on the novel by F. Scott Fitzgerald, about a man on a mission to pursue the love of his life: Daisy Buchanan (Eva Noblezada of ?Hadestown?). The book is by Kait Kerrigan (?The Mad Ones?), the score by the Tony Award nominees Nathan Tysen and Jason Howland (?Paradise Square?), with Marc Bruni (?Beautiful: The Carole King Musical?) directing. (Oct. 12-Nov. 12, Paper Mill Playhouse)

HARMONY After many years of development, this musical by Barry Manilow (music) and Bruce Sussman (book and lyrics) is Broadway bound. And no, it?s not a Manilow jukebox musical (though I don?t hate that idea). Instead, ?Harmony? is based on the true story of the Comedian Harmonists, a wildly successful singing group formed in Berlin in 1927, and follows them during the rise of Nazism. The ubiquitous Warren Carlyle directs a cast including Chip Zien, Julie Benko and Sierra Boggess. (Performances begin Oct. 18, Ethel Barrymore Theater)

THE GARDENS OF ANUNCIA The adolescent years of the director and choreographer Graciela Daniele, who grew up in Argentina during the fascist regime of Juan Per?n, form the basis for this musical featuring a book, music and lyrics by Michael John LaChiusa. The show had its premiere at the Old Globe Theater in 2021 and will be presented in New York by Lincoln Center Theater. Daniele, still working at 83, directs and co-choreographs with Alex Sanchez. (Oct. 19-Dec. 31, Mitzi E. Newhouse Theater)

HELL?S KITCHEN Ali, a 17-year-old girl growing up in a tiny New York apartment with her single mother, has big dreams but feels trapped. When she hears a neighbor playing the piano, she sees a path out. This show features music and lyrics by Alicia Keys (some new music and some previous hits), and is loosely based on her experience growing up in the Hell?s Kitchen neighborhood of Manhattan, surrounded by a community of artists. The project, more than a decade in the making, will now have its world premiere at the Public Theater. The book is by Kristoffer Diaz, choreography by Camille A. Brown, and Michael Greif directs. (Oct. 24-Dec. 10, Public Theater)

SPAMALOT The over-the-top, delightfully goofy Monty Python musical set during the days of King Arthur (and the Knights Who Say ?Ni!?) is returning to Broadway, where it first had us in stitches more than a decade ago. This new production, whose cast includes James Monroe Iglehart, Christopher Fitzgerald, Leslie Rodriguez Kritzer, Michael Urie and Ethan Slater, had a well-received run in May, with Josh Rhodes directing and choreographing, at the John F. Kennedy Center for the Performing Arts. The book and lyrics are by Eric Idle, music by Idle and John Du Prez; Rhodes directs and choreographs again. (Performances begin Oct. 31, St. James Theater)

November

PAL JOEY The nightclub singer and cad Joey Evans is transformed into an ambitious (but more redeemable) Black jazz singer, played by Ephraim Sykes in this new version of the 1940 musical based on stories by John O?Hara, with music by Richard Rodgers and lyrics by Lorenz Hart. Richard LaGravenese and Daniel Beaty are rewriting its book to include the original songs along with other Rodgers-Hart classics like ?My Heart Stood Still.? Savion Glover and Tony Goldwyn direct this City Center gala presentation. (Nov. 1-5, City Center)

HOW TO DANCE IN OHIO A group of young adults on the autism spectrum prepares for a spring dance, hoping to learn to better navigate social challenges in this musical that had its premiere at Syracuse Stage last year. It?s based on a 2015 documentary by Alexandra Shiva, and features a cast made up largely of autistic actors from the Syracuse production. The book and lyrics are by Rebekah Greer Melocik and music by Jacob Yandura, with Sammi Cannold directing. (Performances begin Nov. 15, Belasco Theater)

BUENA VISTA SOCIAL CLUB A group of great talents from the golden age of Cuban music in the 1940s and 1950s gathered in Havana for a week in 1996 to record the album ?Buena Vista Social Club.? This new musical, with a book by Marco Ramirez (?The Royale?), tells the story of these artists and the creation of the unlikely blockbuster album and a 1999 documentary. Saheem Ali (?Fat Ham?) directs the world premiere for Atlantic Theater Company, featuring music from the album. Musical direction by David Yazbek (?The Band?s Visit?) and choreography by Patricia Delgado and Justin Peck. (Nov. 17-Dec. 31, Linda Gross Theater)

SWEPT AWAY After a brutal storm sinks their whaling ship off the Massachusetts coast, four men struggle to survive in this new musical with a book by John Logan (?Red?) and music and lyrics by the Avett Brothers, based on their 2004 album ?Mignonette? (which, in turn, was inspired by a 1884 shipwreck off the Cape of Good Hope). The show premiered at Berkeley Repertory Theater last year, and among the cast returning for this Arena Stage run are John Gallagher Jr., Stark Sands, Adrian Blake Enscoe and Wayne Duvall. Michael Mayer directs. (Nov. 25-Dec. 30, Arena Stage)

December

REAL WOMEN HAVE CURVES Ana, full-figured and fresh out of high school, dreams of an education, but as a first-generation Mexican American in 1987 Los Angeles, she must battle her immigrant mother and the expectation she works in a sweatshop. This new musical is based on the 1990 play by Josefina L?pez that inspired the 2002 film by L?pez and George LaVoo. The new musical version features music and lyrics by Joy Huerta and Benjamin Velez and a book by Lisa Loomer, with the Tony winner Sergio Trujillo directing and choreographing. (Dec. 8-Jan. 21, American Repertory Theater)

January

ILLINOIS This new dance-theater hybrid is based on Sufjan Stevens?s 2005 concept album ?Illinois,? about people, places and events in the Prairie State. With a story by Jackie Sibblies Drury (?Fairview?) and choreography and direction by Justin Peck, the show had a premiere at the Fisher Center at Bard this past summer. (Jan. 12-28, Chicago Shakespeare Theater)

THE CONNECTOR A talented up-and-coming journalist faces off with a diligent copy editor in this new musical, conceived and directed by Daisy Prince. The book is by Jonathan Marc Sherman and music and lyrics by Jason Robert Brown (?Parade?), who also leads the band in this MCC Theater world premiere. (Jan. 12-Feb. 18, Newman Mills Theater)

ENCORES! Don?t be fooled by the words ?staged concert readings?; these productions, now in their 30th year, are more elaborate and moving than simple readings. This season includes ?Once Upon a Mattress,? the 1959 musical comedy adapted from the fairy tale ?The Princess and the Pea? (Jan. 24-Feb. 4), directed by Lear deBessonet and starring Sutton Foster; ?Jelly?s Last Jam,? the 1992 musical about the life of the jazz pioneer Jelly Roll Morton (Feb. 21-March 3), directed by Robert O?Hara; and ?Titanic,? a 1997 musical recounting of the famous maritime disaster (June 12-23), directed by Anne Kauffman. (New York City Center)

February

THE NOTEBOOK Nicholas Sparks?s 1996 novel about romantic idealism and lifelong love comes to Broadway as a new musical (there was a screen adaptation in 2004 too, of course). The book is by Bekah Brunstetter, music and lyrics by Ingrid Michaelson, and Michael Greif and Schele Williams direct. ?The Notebook? arrives in New York following a well-received premiere last year at Chicago Shakespeare Theater. (Performances begin Feb. 6, Gerald Schoenfeld Theater)

REDWOOD Idina Menzel stars in a new musical about a seemingly successful businesswoman who suffers heartbreak and escapes her life and family to immerse herself in the redwoods of Northern California. Tina Landau wrote the book and directs this world premiere; the music is by Kate Diaz and lyrics by Diaz and Landau, with additional contributions from Menzel. (Feb. 13-March 17, La Jolla Playhouse)

TEETH I can?t believe a team decided to adapt the 2007 cult classic film about a young woman with toothed genitalia. Talk about pushing boundaries. The film, about an evangelical Christian teenager whose body bites back, didn?t even get the greatest reviews, but I?m in. The book is by Anna K. Jacobs and Michael R. Jackson (?A Strange Loop?), with music by Jacobs and lyrics by Jackson. Sarah Benson (?Blasted?) directs. (Performances begin Feb. 21, Playwrights Horizons)

March

THE OUTSIDERS It?s the poor Greasers vs. the rich Socs in this new musical about angsty teenagers in 1960s Tulsa based on the S.E. Hinton novel (as well as Francis Ford Coppola?s 1983 film starring C. Thomas Howell, Matt Dillon and a bunch of other now-famous actors). The show, which had its premiere at La Jolla Playhouse earlier this year, features a book by Adam Rapp with Justin Levine and music and lyrics by the folk duo Jamestown Revival (Jonathan Clay and Zach Chance) and Levine. Danya Taymor directs. (Performances begin March 16, Bernard B. Jacobs Theater)

April and beyond

THREE HOUSES A new musical by Dave Malloy (?Natasha, Pierre & the Great Comet of 1812?) is always going to be a highlight. In his latest, Malloy employs book, music and lyrics to explore our post-pandemic world, bringing together three strangers after a long period of a time that was as communal as it was solitary. Annie Tippe directs. (April 30-June 9, Pershing Square Signature Center)

CABARET Eddie Redmayne starred in a recent, lauded London revival of this 1966 Kander and Ebb musical that shows us the Nazi rise to power through the lives of people in a Berlin nightclub. Redmayne is expected to reclaim the role of the Emcee when this new production, directed by Rebecca Frecknall, opens on Broadway. The book is by Joe Masteroff, music by Kander and lyrics by Ebb. (Previews begin in the spring, August Wilson Theater)

GATSBY American Repertory Theater in Cambridge, Mass., is planning its own musical adaptation of the Fitzgerald novel, directed by Rachel Chavkin. The A.R.T. production will feature a score by Florence Welch (Florence + the Machine) and Thomas Bartlett (Doveman) with a book by Martyna Majok (?Cost of Living?). (May 25-July 21, 2024, American Repertory Theater)