There comes a point at Glastonbury 2024 where it becomes easier to give up about a mile away from the stage.
Much like Sugababes’ overcrowded set, the grouchy, nostalgic pop-punk queen Avril Lavigne is one of the festival’s must-see acts, yet is shoved on a too-small stage in front of an overwhelming sea of people. Janelle Monae, over on the Pyramid Stage at the exact same time, is the unlucky recipient of poor planning – a genius pop star performing to a barely-there crowd. It’s not great.
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This is a brilliant show, but Glastonbury must learn lessons from a year that has vastly underestimated the appeal of pop nostalgia, and overestimated the interest in many performing over at the Pyramid.
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