When I first started this show I found it to be a really awkward mix of comedy and seriousness. It had some jokes thrown it at the most inopportune times as some kind of comic relief from a really serious situation. Perhaps the first half of the first season was actually a bit rough or maybe the show just grew on me, but by season 2 I found myself loving this show.
To me it seems as every bit as comfy, intellectually interesting and even funny as some classic Star Treks while still clearly being its own thing. I wish more comfy space shows like this would get made.
What are your thoughts on The Orville? Also I miss Alara.
It was/is the best modern “star trek” thats coming out. Loved that you could see all the writers and seth were just huge trekies. The moral dilemma’s are almost always good. And the mostly episodic episodes are a huge bonus.
I would agree with you, until Star Trek Strange New Worlds. That show is fantastic.
Along with Lower Decks as well. The crossover to Strange New Worlds was great.
Lower Decks is fantastic, but it’s almost its own thing while still being a love letter to earlier Treks. It is obviously aimed at a different demographic while still being one of the best modern Treks. That crossover episode was almost all fan service, but there is nothing wrong with that every once and a while. It was a very fun episode. The end where the SNW cast was animated had me laughing, it was very well done.
Ive yet to watch it but ive heard good things.
I was in the same boat as you until recently. I was burned so bad from Discovery and Picard I just couldn’t go through it again. I heard all the good things, but still I just couldn’t get around to it. I’m so glad I finally did. I know there is some recency bias but I think I would go so far as to say Captain Pike is my favorite Captain now…
Damn it’s like you know me LMAO. I swear I will check it out soon.
I bet it was common in the Trek community. I guess the positive side is you have two seasons to be able to binge when you finally get around to it.
Renewed for Season 3!
It’s so good I didn’t even consider that not being a possibility. Glad to hear it though.
I find it to be very much the opposite, but infinite diversity in infinite combinations.
"oh yeah? Well, I’m gonna make my own Star Trek, with black jack and hookers. "
- Seth McFarlane
Star Trek Producer: “This guy is trying to out-startreck us” proceeds to make Strange New Worlds to retaliate
I’m pretty sure this is exactly what happened.
And you will not see me complaining. SNW is the best Trek of recent times.
I’d still say Orville hits the mark closer, in many ways. SNW follows some of TOS’ style, but it still doesn’t always quite have that Gene Roddenberry feel to the characters. Orville does this better while its style is more like TNG - which perhaps isn’t surprising given how much Seth MacFarlane has worked with Patrick Stewart in recent years.
Frankly I want more seasaons of both.
Picard season 3 was pretty great too. I skipped season 2 as I hated season 1. Apparently season 3 just ignores the events of 2 completely because it was that bad.
It was shit wasn’t it, I heard season 2 was worse. I wanted to like it so much. What changed to make season 3 good? I’d love that to be true.
I don’t want to set your expectations too high, because it’s far from perfect, but I thought Picard S3 was basically the good TNG movie that we never received. It was great to see so many of the TNG crew back on screen, and probably for the last time together since they’re all in their 70s. The story was mostly good and there were some real high points.
I will definitely watch it then, thanks.
A 10 hour movie 🙄
So annoying the way all these shows are just stretched out into series when they can and should be a movie. And vice versa too, movies are all 3+ hours now I feel like, even friggin Indiana Jones was 2.5 hours, if you got that much to say just make it a miniseries or something jeez.
Now if you’ll excuse me I got some clouds to yell at.
I never laughed so much in a Star Trek episode as I did at last Thursday’s episode. That was absolutely not expected lol.
I still haven’t watched it. I think I might be done with Trek. There’s just been too much damage in the last decade with those godawful jj abrams movies, discovery, picard, blech. It’s clear to me the franchise has moved in a different direction and we’ll always have tng and ds9, but I just can’t follow it anymore.
SNW went completely off the rails and became a CW science fiction show. It is not Star Trek and is so cringe worthy, it’s painful to watch.
I haven’t seen any of season 2 yet, and while I agree that a few of the episodes in the first season are a bit off-target on the science fiction aspects, I think they are overall quite a bit better than the first season of TNG. I’m more than willing to give it, say, 40-60 episodes to really find itself and get into the meat of the story they want to tell with it.
Every other episode is amazing then cringe, it keeps things light.
I loved it. I thought the actors did a great job with some of the more sensitive content. It was pretty generic in general, but I didn’t mind that. I like shows that don’t take themselves too seriously.
I watched the first 2 seasons. The “sitcom in space” parts work quite OK, Kaylon’s concept was somewhat interesting, space battles are well animated, particularly in the 2nd season which clearly got more budget, but…
Whenever the scripts stray away from “personal drama of the week” and dumb jokes about starships it becomes uninspired and shallow. It’s clear to me that MacFarlane tries to “dunk on both sides”. Sadly, his attempts at political/social critique look like “enlightened centrist” reddit rants which don’t try to think about broader consequences and context of points being made. To the point of some stories being somewhat problematic when dissected.
I watched the first episode of the third season to see where does the series go. It took a highly sensitive topic, again reiterated high-school philosophy arguments and made this potentially hard and relatable for viewers subject into an awkward bedtime conversation. I decided the rest of the season is not worth my time.
Luckily Strange New Worlds premiered soon after and I never looked back. SNW beats Orville on all measures.
As someone who disliked the comedy part, I enjoyed the last season the most.
Strange New Worlds Season 1 was great. Haven’t yet had the time yet to watch Season 2 but it looks just as good so far. Still haven’t started the final season of Picard yet, but I’m assuming you liked that one too? I thought it was good for a limited run series.
Better Star Trek than actual Star Trek.
Modern Star Trek, right?
EDIT By “modern Star Trek” I mean every show from Discovery to Strange New Worlds.
Ahhhhh Lower Decks came out between those two shows release dates and it’s a great show.
Yes I’ll die on that hill.
I just rewatched it’s namesake episode of TNG… it’s dark.
Yup, you got it. Fucking nutrek. That shit tier writing belongs in star wars, not star trek.
I expected the Orville to be a funny homage to Star Trek. For a short time it was just that. Actually a randy one with too much toilet humor. But then suddenly they became serious SciFi. Which I consider a bold move and mostly but not utterly a successful one. And in hindsight, it would have been hard to deliver good SciFi-Humor for more than one Season except if they went the Futurama-Path.
The part of the funny homage to Star Trek nowadays has been taken by Lower Decks. Humorwise it beats everything Orville had ever offered.
Orville is good. Not great but worth watching. They had some AMAZING episodes with depth and ideas among the best ST-Episodes. But they also had a lot of mediocre episodes. Still Better than ST-Discovery for sure. Even surpassing ST-Picard. Which is something Seth can be proud of.
Orville started when there was no Startrek and no serious Soap-SiFi at all (The Expanse is something different).
For me it is “Startrek when Startrek wasn’t” and basically revived the Franchise it wanted to make fun of.
I like it.
I really liked it.
The early seasons were less serious than later ones. But overall, it did well with serious social issues and addresses some very relevant topics.
The storyline with Topah was absolutely amazing. At every step, each character was portrayed well, and respectfully. It’s rare that there is a story like that that still has conflict without having a clear villain.
The time travel episode with Gordon was also especially brutal with some great performances from everyone on screen.
There were a few misses. I found the Isaac / Doctor relationship… forced, even if it did bring us the best line in decades (“As I am incapable of stuttering, I must conclude that you heard me.”). I also don’t think I’m alone with disliking the Charlie character in season 3.
I loved how Klyden grew through that story line, realizing what his prejudice was costing him and growing!
The Klyden storyline has so many nuances to it. It’s not just that Klyden is a bigot. “He” was also re-gendered so he knows what Topa is going through and feeling far better than anyone else. A big part of his intransigence comes from a place of, “If I had to deal with this trauma, so should everyone else.” It helps explain his extreme position without letting him off the hook and I really liked that.
For sure. I’m calling him “he”, because thats what he appears to identify with.
Hes undeniably a bigiot at the beginning, but i think a lot of that comes from… a gamblers fallacy, worrying what hes already invested in his identity, and knowing he might have been wrong, and it reaches a crescendo, before Klyden is forced to realize hes made the wrong decision, and rejoins his husband and daughter.
so good.
I think it’s deeper than that. Klyden exists to represent Moclan society as a whole. He is the stand-in for their traditions, world, history, and culture.
We, the audience, are presented at the onset with a society that is male-only. The ship’s crew, along with us, are sort of hand-waved away when asking questions about how things work in the bedroom, but on the whole, no one seems to have a problem with their culture. In fact, we even see this male-only species reproduce successfully before we learn that there are the potential for female infants.
In Moclan society, being born female is an aberration. It’s not a biological necessity, and, for whatever reason, the Moclan culture views “being female” as a birth defect, one that can be easily corrected. It’s sort of how, today, we view children born with a clef palette. There’s no good reason to keep it around, and lots of reasons to repair it as soon as possible. Klyden represents this mindset and viewpoint perfectly.
Imagine someone fighting tooth-and-nail to not repair a cleft palette, or some other easily-fixable birth defect. Imagine them standing up in court and declaring that this obvious flaw is something that no one has the right to fix. Klyden is, from his own experience, outraged, and furious. Put yourself in his shoes, and his actions have nothing to do with bigotry, or hate. He’s not angry at his child for being female, or at his husband for supporting her decision to become female. He’s mad at the world because his entire world-view is challenged by his family.
In fact, he sees his culture, history, society, and even legal system saying that he is right, that the child should be male, and then he sees his husband and child, serving on a Union starship, talking nonsense about a “choice.” That line where he says he wishes she’d never been born wasn’t anger at her. It was anger that he is being forced to choose, and no matter which thing he chooses, he will loose a huge part of himself – either his family, or his history.
And if he chooses his family, he has to confront the fact that what was done to him was just as wrong as what he did to his daughter.
Few people, even space aliens, have the emotional maturity to handle that kind of revelation in the moment without doing something regrettable.
But fuck, this kind of novel is why I love this show so much. When was the last time you had a long talk about that time Riker killed all his clones?
Well put!
Imagine someone fighting tooth-and-nail to not repair a cleft palette, or some other easily-fixable birth defect. Imagine them standing up in court and declaring that this obvious flaw is something that no one has the right to fix.
I think this comparison doesn’t really work. In this analogy, Topa would be going to the doctor and saying, “For some reason, my lip feels wrong to me. I can’t put my finger on it but I feel like I have the wrong lip. Can you help me?”
It’s a bit of a different dynamic when the person who was ‘fixed’ is telling you over and over again that they don’t feel fixed; Rather they feel broken and don’t know why.
The season 3 episode, perhaps, but remember, there was an entire episode when Topa was born in season 1. It was like, episode 3 or 4 or something early in the show, where the doctor refused to perform the surgery, and they went all the way back to Moclan. It’s where we first meet that Dolly Parton female Moclan lady whose name I can’t remember at the moment. This is the incident I was referencing here.
I agree on the doctor/Isaac arc (some spoilers), I thought it was all absolutely ridiculous. Isaac is only there to gather data about humanity and characterised as unfeeling and non-emotional. Then the doc pulls a fit about how he doesn’t have feelings for her and everyone on the ship is behind her, ostrasising Isaac. It felt like there was no logic at all to the situation and everyone had gone bananas. The Isaac breakup scene was hands down my favourite in the show.
I think they screwed up the ending of the Gordon episode. If they’d cut from the captain and the team walking out of the door to Gordon being back on the ship packing away the phone and other things, it would have left it more to the viewers to decide if the decision was right or wrong.
Maybe.
On the flip side, the way it ended worked as a sort of “what if?” story about what Gordon is capable of.
Maybe plans for some later season involve Gordon turning on Mercer for similar reasons, again?
I don’t know. Given what was taken from him, and how grateful he was that it was done, I think they took that option away.
Best part of season three is Charlie’s death. Felt almost forced in a way, but not in a good way. Like Charlie is an ensign but is on the bridge because she’s really smart at 4d maneuvering or something, and they bring her everywhere. Definitely great when she finally went.
The Gordon/Time travel episode was brutal. It’s the episode I keep referring to when attempting to get my girlfriend to suspend her dislike of Seth McFarlane enough to give the show a shot. I will be very disappointed if there isn’t a 4th episode.
All I could think with how forced Charly was as a character was like is this a producers wife or girlfriend or something? I never looked into it, but I’ve never seen a show introduce a new character and focus on them so hard, even to the detriment of OG cast members, before. Like they pivoted to the Charly show. Some of the plots were good like her prejudice towards Isaac’s race but like why did she get introduced and become the main character in one season? Lol
what modern star trek should be
deleted by creator
ive yet to get on that bandwagon; i’ll def give it a go
You should throw in a little Lower Decks, just saying.
Always thought the whole parody aspect was just a means to get funding to just make a regular star trek series in disguise. If someone would just give the man money for exactly that we would have an awesome star trek series.
It felt way more like Star Trek than the Star Trek being made at the time (primarily Discovery). Though I do like Strange New Worlds and think it’s more in the right direction, The Orville still feels way more like TNG-era Trek.
Now we just need a Galaxy Quest / Orville crossover to really confuse everyone.
Now we just need a Galaxy Quest / Orville crossover to really confuse everyone.
Sokath, his eyes uncovered!
The river in winter and temba his arms wide my money!
After the first season, which was an obligatory “Star Trek Type Show Finds Its Feet” season, it really hit its stride to become the best Star Trek since DS9. Not in name, but certainly in spirit. So earnest, with a great message throughout. Sure it had some mediocre jokes here and there but so did TNG, let’s not forget. I was sitting around just the other day thinking how I missed watching The Orville
I feel the same way. Hope it comes back for another season.
Pretty sure it’s renewed. The writers strike is probably going to slow down the release though
It was the best Trek we had in ages. Held me over until we got SNW and Lower Deck.
I really hope we get another season because they REALLY hit their stride last season.
The Orville is my favorite Star Trek franchise. It’s canon - you can’t deny it. The Orville revived the Star Trek Franchise and gave it a pulse. It’s like blockchain. You can say it doesn’t belong, but it will always be there and nothing can change that. It has great attention to detail and decent story writing with that original “there’s a moral in this episode” that endeared ST in our hearts, something the newer ST franchises lack.
I was initially turned off from it too because of the awkward comedy early on. But I have it another go and ended up enjoying it as an extension of Star Trek.
The vibe I get is he wanted to make a Star Trek show, but since he’s that comedy guy he probably got it greenlit as a comedy and then just slowly morphed into just Star Trek while the producers weren’t looking. I’m basing this on nothing, it’s just a funny head cannon.
It’s not a stretch to say it’s the only thing of this era that picks up the legacy of TNG trek. Lower decks is fun but too short to really do what full episodes could and while Strange New Worlds is ok… it still doesn’t feel in the spirit that I’m looking for.
The vibe I get is he wanted to make a Star Trek show, but since he’s that comedy guy he probably got it greenlit as a comedy and then just slowly morphed into just Star Trek while the producers weren’t looking.
This is actual reality, so you nailed it. Seth approached Paramount with a pitch for a nostalgic reboot of the TNG era, they said no, so he went to Fox who he had a great relationship with due to Family Guy and created The Orville.
Whether the producers were unaware of the slow transition to actual speculative fiction or not is unclear for the first few seasons. I think the final season shows that it was overt, however, since after changing networks the whole tone, production quality, and even the actual time length of the episodes all changed.
A “head cannon” is a big gun on your head.
It seems like a lot of modern star trek doesn’t appeal to OG trekkies, but as someone who didn’t watch anything pre-Discovery, I think most of it is pretty great compared to a vast portion of current TV.
Fair enough. It’s hard to watch them objectively without thinking about what we’re missing. What confuses me though is they new shows lean HEAVILY on nostalgia, suggesting that they’d be trying to get the audience that has nostalgia for it, but the rest of what makes up the shows isn’t anything like what made people originally enjoy Star Trek.
I loved it because it had all the eye candy and high concept stuff I’m looking for but they didn’t take themselves too seriously.
I didn’t mind the acting or the incongruent personality quirks. I actually found most of it pretty endearing in a little relaxing. He probably should have broken the fourth wall a little more often.
Overtime the formula got a little too predictable. With the exception of an episode here and there are the story arcs were getting tired.
I enjoyed watching it, I wouldn’t mind seeing more, but I have no urge whatsoever to go back and do a rewatch.
Agree on all counts, definitely regarding the story arcs too.
