Veteran journalists Nicholas Gage, 84, and Nicholas Basbanes, 81, who live near each other in the same Massachusetts town, each devoted decades to reporting, writing and book authorship.
Gage poured his tragic family story and search for the truth about his mother’s death into a bestselling memoir that led John Malkovich to play him in the 1985 film “Eleni.” Basbanes transitioned his skills as a daily newspaper reporter into writing widely-read books about literary culture.
Basbanes was the first of the duo to try fiddling with AI chatbots, finding them impressive but prone to falsehoods and lack of attribution. The friends commiserated and filed their lawsuit earlier this year, seeking to represent a class of writers whose copyrighted work they allege “has been systematically pilfered by” OpenAI and its business partner Microsoft.
“It’s highway robbery,” Gage said in an interview in his office next to the 18th-century farmhouse where he lives in central Massachusetts.
Not just that: art is a way of enriching how we experience our being in the world, for both artist and audience. It expresses aspects of lived experience that are not obvious but run deep in making us what we are, and it helps us realize ways of understanding life that we cannot otherwise access. It’s communication not just between artist and audience but also between ourselves and our world. If we lump it all under the ugly category of “content” and hand its production over to machines, artists can no longer survive while practising their art, human insight suffers, and we are all impoverished.